Layers Of Duncrue

Fine Art Harland & Wolff Print

This square shaped study is full of the rich colour and kinetic energy that is typical of Una’s painterly style.

 

She draws parallels between the layering of Duncrue’s many factories and her own layering of thick buttery oil paint.

 

Delicate background detail contrasts with an array of industrial shapes, all fighting for the viewer’s attention.

 

Whether wide and linear or tall and wiry, they all hold space and add to that sense of buzz and hive of activity that is Duncrue.

From 95.00

Prints come in 5 approximate sizes:

  • A0: 841 x 1189mm
  • A1: 594 x 841mm
  • A2: 420 x 594 mm
  • A3: 297 x 420 mm
  • A4: 210 x 297 mm

Please note, these are approximate sizes. The final size of the print will depend on the aspect ratio and size of the original painting. Not all prints are available in all sizes. The available sizes can be found in the “Size” dropdown above.

Delivery charges will added at checkout, and are calculated according to shipping address. Large prints (A0, A1, A2) are shipped rolled in strong-walled postal tubes. Small prints (A3, A4) are shipped strong cardboard flat envelopes. Originals are carefully boxed & packaged. A tracking number is emailed to the customer at time of posting. Further information about Delivery can be found on the FAQs page.

Una’s Fine Art Giclée prints are produced using German etching or Photo Art Silk paper and pigment inks that are museum quality.

Each limited edition print has a surrounding white border and Una signs, numbers and titles each one.

  • Prints & Originals

All originals and prints are sold unframed.

It is highly recommended that they are brought to a local framer for a professional and well protected finish. We can provide advice on framing options on request.

Layers of Duncrue painting hanging in entrance hall -- Una O Grady Paintings
The story behind...

Layers Of Duncrue

My aim is to allow the viewer’s eye to hop pleasingly over this depiction.

I’m careful not to ‘overwork’ and keep elements fresh and alive using swirls, scribbles, and fast mark-making. 

I intuitively layer on, scrape off, dilute down and build up again. 

Sometimes I ask gravity for help. 

Subtle drips and cool reflections pour and slide. 

I give composition much thought and allow the viewer’s eye to finally slow down – almost to saturation – along a lower row of barbed wire. 

I trust that a contemporary and colourful balance has been struck.

Signed By Una O'Grady