Docks Frequency
Fine Art Belfast Docks Print
This Belfast docks depiction radiates the kinetic energy that is typical of Una’s painterly and expressive style.
Shapes and colour collide, radiating a sense of the industrial activity and sounds.
Una draws parallels between the layering of many factories and her own layering of thick, buttery oil paint.
Delicate detail contrasts with large expressive shapes, all fighting for the viewer’s attention.
From €75.00
Prints come in 5 approximate sizes:
- A0: 841 x 1189mm
- A1: 594 x 841mm
- A2: 420 x 594 mm
- A3: 297 x 420 mm
- A4: 210 x 297 mm
Please note, these are approximate sizes. The final size of the print will depend on the aspect ratio and size of the original painting. Not all prints are available in all sizes. The available sizes can be found in the “Size” dropdown above.
Delivery charges will added at checkout, and are calculated according to shipping address. Large prints (A0, A1, A2) are shipped rolled in strong-walled postal tubes. Small prints (A3, A4) are shipped strong cardboard flat envelopes. Originals are carefully boxed & packaged. A tracking number is emailed to the customer at time of posting. Further information about Delivery can be found on the FAQs page.
Una’s Fine Art Giclée prints are produced using German etching or Photo Art Silk paper and pigment inks that are museum quality.
Each limited edition print has a surrounding white border and Una signs, numbers and titles each one.
- Prints & Originals
All originals and prints are sold unframed.
It is highly recommended that they are brought to a local framer for a professional and well protected finish. We can provide advice on framing options on request.
Docks Frequency
My aim is to encourage the viewer’s eye to dance pleasingly over this highly textured painting and appreciate the seemingly infinite linear form of this area of our city.
I’m careful not to ‘overwork’ and try to keep elements of the painting alive by using instinctive swirls, scribbles and frantic mark-making.
I trust that my chosen composition allows the viewer’s eye to move swiftly then finally slow down – almost to saturation, along the lower layers of landfill.
