Docks Hues And Shapes

Fine Art Harland & Wolff Print

Delicate plumes of smoke and industrial detail contrast the dominating iconic yellow cranes in this shipyard scene.


It’s a print full of contemporary colours where flashes of mustard, corals, teals and greys give an eye-catching and vivid result.


The original piece was painted on a bespoke and ‘super wide’ canvas, lending itself beautifully to those certain wall-spaces that suit such proportions.


Examples of this would be… above desks, sofas and kitchen or dining tables.

From 95.00

Prints come in 5 approximate sizes:

  • A0: 841 x 1189mm
  • A1: 594 x 841mm
  • A2: 420 x 594 mm
  • A3: 297 x 420 mm
  • A4: 210 x 297 mm

Please note, these are approximate sizes. The final size of the print will depend on the aspect ratio and size of the original painting. Not all prints are available in all sizes. The available sizes can be found in the “Size” dropdown above.

Delivery charges will added at checkout, and are calculated according to shipping address. Large prints (A0, A1, A2) are shipped rolled in strong-walled postal tubes. Small prints (A3, A4) are shipped strong cardboard flat envelopes. Originals are carefully boxed & packaged. A tracking number is emailed to the customer at time of posting. Further information about Delivery can be found on the FAQs page.

Una’s Fine Art Giclée prints are produced using German etching or Photo Art Silk paper and pigment inks that are museum quality.

Each limited edition print has a surrounding white border and Una signs, numbers and titles each one.

  • Prints & Originals

All originals and prints are sold unframed.

It is highly recommended that they are brought to a local framer for a professional and well protected finish. We can provide advice on framing options on request.

Docks Hues And Shapes Painting hanging in an office -- Una O Grady Paintings
The story behind...

Docks Hues And Shapes

Creating a successful composition in this piece was very important to me.

I wanted the viewer’s eye to move pleasingly across the extra wide scene.

For the eye to be pulled and almost ‘dance’ pleasingly across it. 

Areas of yellow that represent the cranes are particularly tactile. This was created using a range of Windsor and Newton Artist Colours for their wonderful buttery texture and vivid hues.

Striking a successful painterly balance meant using many contrasting themes such as thick versus thin (application of paint), fast versus slow (mark-making) and light versus dark (tonal range).

Signed By Una O'Grady