Memories of Duncrue

Fine Art Harland & Wolff Print

This limited edition print encapsulates the sense of energy and ‘clunky’ activity that permeates Belfast’s Duncrue area.


Fast, ‘flicked’ and ‘scribbly’ mark-making is applied vigorously via the use of palette knives, brushwork and finger-painting – all representing this industrial and busy part of the city.


Explosive colours and textures work in harmony to produce an aesthetically pleasing and balanced piece full of vibrant colour and detail.

From 95.00

Prints come in 5 approximate sizes:

  • A0: 841 x 1189mm
  • A1: 594 x 841mm
  • A2: 420 x 594 mm
  • A3: 297 x 420 mm
  • A4: 210 x 297 mm

Please note, these are approximate sizes. The final size of the print will depend on the aspect ratio and size of the original painting. Not all prints are available in all sizes. The available sizes can be found in the “Size” dropdown above.

Delivery charges will added at checkout, and are calculated according to shipping address. Large prints (A0, A1, A2) are shipped rolled in strong-walled postal tubes. Small prints (A3, A4) are shipped strong cardboard flat envelopes. Originals are carefully boxed & packaged. A tracking number is emailed to the customer at time of posting. Further information about Delivery can be found on the FAQs page.

Una’s Fine Art Giclée prints are produced using German etching or Photo Art Silk paper and pigment inks that are museum quality.

Each limited edition print has a surrounding white border and Una signs, numbers and titles each one.

  • Prints & Originals

All originals and prints are sold unframed.

It is highly recommended that they are brought to a local framer for a professional and well protected finish. We can provide advice on framing options on request.

Memories of Duncrue Print hanging in cosy library -- Una O Grady Paintings
The story behind...

Memories of Duncrue

I enjoy walking around this area of the docks when I get a chance.

I like to take in the ambiance of Duncrue.

Although there are always plenty of parked cars around, I rarely see any humans!

I like the idea of the humans working away in the background making decisions while only machinery and industrial noises are on display to the outside world. 

I’m happy with the composition of this piece. I deliberately used reflections of Belfast lough to counteract the industrial shapes that are on land and water.

Signed By Una O'Grady