Bull Calf with The White Eyelashes
Fine Art Calf Print
What a striking gaze and pose!
‘Calf With The White Eyelashes’ looks at us directly and we immediately strike a rapport with him.
His already broad body is gaining strength and is full of the energetically ‘flicked’ mark-making and rich colour so typical of Una’s studies.
Balanced on those chunky ‘bull calf feet’ are a swirl of hues and marks that represent his coat and body.
It’s certainly not a spectrum of colours that we would normally associate with a bovine creature but one that Una’s close observation and unique style presents to us.
Yellow ochre spills into teal, while mint, lemon and neutral tones contrast with an array of blues.
From €75.00
Prints come in 5 approximate sizes:
- A0: 841 x 1189mm
- A1: 594 x 841mm
- A2: 420 x 594 mm
- A3: 297 x 420 mm
- A4: 210 x 297 mm
Please note, these are approximate sizes. The final size of the print will depend on the aspect ratio and size of the original painting. Not all prints are available in all sizes. The available sizes can be found in the “Size” dropdown above.
Delivery charges will added at checkout, and are calculated according to shipping address. Large prints (A0, A1, A2) are shipped rolled in strong-walled postal tubes. Small prints (A3, A4) are shipped strong cardboard flat envelopes. Originals are carefully boxed & packaged. A tracking number is emailed to the customer at time of posting. Further information about Delivery can be found on the FAQs page.
Una’s Fine Art Giclée prints are produced using German etching or Photo Art Silk paper and pigment inks that are museum quality.
Each limited edition print has a surrounding white border and Una signs, numbers and titles each one.
- Prints & Originals
All originals and prints are sold unframed.
It is highly recommended that they are brought to a local framer for a professional and well protected finish. We can provide advice on framing options on request.
Bull Calf with The White Eyelashes
I was drawn to this creature because of his unique features.
He lived beside us in the cow sheds last winter and his particular colouring stood out to me.
Apart from his pensive demeanour, I noticed that, although the markings around his eyes were dark, his eyelashes were white.
I loved this quirky and contrasting feature.
Feeling a connection to him meant that the painting seemed to happen very naturally to me.
It ‘spilled’ easily on to the canvas encouraged by intuitive mark-making.
Areas of impasto style paint give a sense of texture and contrast directly with thinly painted, more delicate detail.
